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Page 84 text:
" g tx Wfa m Wiih m lentils; Potl " Come! come through the portals of once-upon-a-time. Wonderful things you will find there, cities and gardens and fairies and queens; all true things that you loved and believed before you grew up and began to doubt. See, here is a winsome little boy as only " Nip " Page could make, sitting by a black pot boiling lentils. What was that cry? Oh, it is Helga Lundin as the beautiful queen greatly distressed. She is going to be decapitated because of a breach of etiquette. If only she could hide, she cries, until after the king ' s four clocks struck twelve she would be safe. The little boy hides the queen quickly for they hear someone coming. It is Libby Thompson as a strolling juggler in a striped coat, with three golden balls in his hands. She is very elusive and makes us think the juggler really truly magic. He goes his way and after him comes a little milkmaid with her pail on her arm. Dorothy Upton makes such a lovable little maid and she tells the little boy that there is a pot of gold and a pair of finger-rings offered to anyone who finds the escaped queen. After the milkmaid comes a groping old blind man whom Dolores Osborne makes very real to us. He shows the little boy how the blind can see. After the blind man comes Charlotte Hudson as a gay, dancing ballad singer. She sings to the little boy in return for some of his lentils. The truly dreadful headsman who enters is Libby Flagg, so dark and grim that we shudder. The little boy is terribly frightened and tries to make the headsman go away. But he will not. Just then three of the clocks of the king begin to strike twelve. But he is going to behead the queen yet. Just then he stops to sneeze, and the last clock has struck. The queen is saved! With Emily Van Patten, who is Memory, Ethel Goodwin as the Prologue, and Estelle Throckmorton representing " we " in the audience, we travel back by the paths of memory through the portals of once-upon-a-time.
Page 83 text:
" omeo anb Juliet " THE CAST heads of two houses at variance with each other Escalus, a prince of Verona Paris, a young nobleman Montague 1 Capulet Romeo, son to Montague Mercutio, friend to Romeo Benvolio, friend to Romeo Tybalt, nephew to Lady Capulet Friar Laurence, a Franciscan Balthasar, servant to Romeo . Peter " ) Sampson servants to Capulet Gregory J Abraham, servant to Montague An Apothecary Page to Paris Lady Capulet, wife to Capulet Juliet, daughter to Capulet Nurse to Juliet . Lady Montague, wife to Montague Officers .... Kinsfolk and Maskers Christine Olive Howard Bertha Everett Morgan Catherine P. Damon Juliet Haskell (Isabel Brown Suzanne Root Mary Elizabeth Polk Elizabeth Hutchinson Janet Warren Alice Van Schmus Margaret Hopkins Cecelia Kunkel f Elizabeth Whittemore Helen Goodale Mary Mallory Marian Rugg Barbara Sands Helen Goodale Laura Beggs Gwendolyn Bloomfield Evangeline Lamb Margaret Potter Ruth Dewey Harriet Simpson Phyllis Bankart Katherine Damon ■j Charlotte Petrikin Mildred Burford Marian Saunders Stage Manager . Director 63
Page 85 text:
The Abbot Circle 1922 " Joint ( toners in £ pain " By Alice Brown Perhaps this play has solved the problem which arises with the occasional misunderstanding with one ' s room-mate. Miss Dyer and Mrs. Blair at least solved it for themselves and they had the reputation of being the worst persons to room with in the old ladies ' home. The scene is laid in a bedroom of the home and at the opening of the play Emily Holt as Mrs. Fullerton is moving her things from the room with the aid of Mrs. Mitchell, the manager of the home. Miss Dyer is seated on the other side of the room and it is hard to believe that this complaining old lady could be Esther Wood. At the entrance of Mrs. Blair, Miss Dyer ' s new room-mate, we are quite breathless to see what the outcome of this new combination will be, for Mrs. Blair has a most violent disposition. At first the two old ladies are in a state of continual warfare, but finally Dorothy King, who plays the part of Mrs. Blair, thinks of a plan. They mark a chalk- line exactly through the center of the room. One-half is to be Miss Dyer ' s home and the other, Mrs. Blair ' s. If one wishes to speak with the other she must go over to her home and knock at the door to obtain admission. We find that the plan works excellently and that through this little game all their troubles are soon ended. 65
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