University of Michigan - Michiganensian Yearbook (Ann Arbor, MI)

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ity beat The Bars Rock to the Beat of Area Bands Coming out of the Power Center after the Joe Jackson concert last Novem- ber, concertgoers lamented that they would have liked to have seen him when he started in a smaller venue . To this, lovers of folding chairs and immense crowds asked, What ' s the difference? The difference is that when you see a band in a small club like the Blind Pig, Rick ' s or Hiedelberg, you see rock at its basic, unadorned, best. The difference is that should a fledgling act succeed, you can claim a small part in setting them on their way. The Difference is also one of Ann Arbor ' s more popular acts. This band of former Michigan students frequents and fills both Rick ' s and the Blind Pig, playing original music written primarily by keyboardist vocalist Tina Marcaccio. The instrumental lineup resembles INXS with Bass, Guitar, Drum, Keys, and Sax, and the sound rests on a variety of complex yet solid rhythms. Rhythm is also the base and name- sake of another local band, Rhythmic Feud. A hard rock upbringing is evident in this combo ' s original com- positions, and indulged in its covers of classic rock standards ranging from Black Magic Woman to Cult of Per- sonality. The Feud is a relatively new group, but has been quite suc- cessful in lining up club dates. The big problem is getting people to show up. says Keyboardist Tom Solomon. It ' s hard to draw a crowd on a monday or tuesday night. From the audience ' s perspective, the Pig has the best crowds, but poor acoustics, while Rick ' s has good sound but lousy sight lines. Still, they are the most prominent clubs in Ann Ar- bor. But better known is not best, according to record dealer, and local music follower Jeff Taras. Taras thinks, Club Hiedelberg is by far the best club for sight and sound and the new bands best shot for gigs. As for which groups to watch, Taras cites the A Urbations as his biggest sellers, and places Ann Arbor ' s own Chenille Sisters just a step away from Letterman. For those who prefer to save money and choose for themselves, AA Com- munity Access broadcasts the local music scene. Since the programs are from old videotapes, you may get to see yourself in the crowd playing a part in determining the band ' s future success. As all bands agree, it is often the crowd that makes the difference. vMichael Porta The difference is that when you see a band in a small club like the Blind Pig, Rick ' s or Hiedelberg, you see rock at its basic, un- adorned, best. re JLUU Michigan Life

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urslev show Diversity in Entertainment When one thinks of dorm activities, images of dances, casino nights, vol- ley ball tournements and study breaks complete with pizza delivery typically come to mind. The Bursley Show is a refreshing change from the ordinary. The show, produced by the Bursley Family, which is the minority council of Bursley Hall, gives students a chance to flaunt their talents. It ' s not a competition like most talent shows. It ' s really a talent showcase, says Artiniece Reid, a jun- ior in LSA. Reid was one of thirteen acts from campus and local areas to perform in the show. Black and ' It ' s not a competition like most talent shows. It ' s really a talent showcase... white balloons adorned the ceiling of the crowded Bursley cafete- ria. Lanterns decorated with construction paper lit the tables which were cov- ered with black and white tablecloths. The Bursley Show is held every year during Black History Month, during the week of Valentine ' s Day. Proceeds form the show benefit the Michael Griffith Memorial Scholar- ship Fund. The show is the big annual project of the Bursley Family, Reid explains. The Bursley Family is the black stu- dent organization within the dorm. It ' s a support group, especially for the new students, Since this year was the twentieth anniversary celebration, masters of ceremonies, Harold Edwards and Maurice Morton opened the show with a blast to the past. Wearing white tuxedos with seventies ' style dress shirts, they impersonated James Brown and Keith Sweat. Other high- lights of the show included Kuumba, an a capella song and dance routine in a tribute to the troops in the Middle East. Lisa Mayberry and Warren Williams performed a rendition of the duet form Best Friends. Rap perfor- mances by CIA (Creepers in Action) and BTS (Between the Sheets) en- tertained their audience with creative costumes and dance routines. Art of the Moment, a talented jazz act per- formed their own original lyrics. The show is a melting pot of perfor- mance genres. The different phases of entertainment complemented Black History Month, for it exhibited the diversity within a culture. Reid cites the show ' s significance and worth: I think it ' s really important for African Americans to be proud of their cul- ture. vAndrea Plainer he traditional Kuumba dance was dedi- ated to the troops in the Middle East. Greg Emmanuel Bursley Show

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Lead vocal Randy Martin of the Differ- ence sings one of the bands original songs at the U-Club. v Jamie Herstein Miles Hunt of the Wonderstuff performs at the Nectarine Ballroom on November 1 . T Jason Goldsmith Ryth McFeud rocks Rick ' s American Cafe. Featuring Rich Violin, lead vocal, Gabe Whyel, lead guitar, Jon Munzel, alto sax, Jim Westover, tenor sax and Mark Klintworth, trumpet, f Monica Jaffee City Beat 101