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Page 172 text:
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191T CIARLA CUE AND QUILL CLUB ORGANIZED IN 1891 AS THE DRAMATIC ASSOCIATION AND RENAMED IN 1914 OFFICERS John A. McCollom, Jr Director Parry J. Hepner President Edwin W. IIartzei.i, Vice President Elwood Schwenk Secretary Edward W. Schlechter ) . . ... „ „ - Business Managers W. Russell Rosenberger MEMBERS 1916 George G. Brubaker Harry W. Hepner Clifford E. Eichner Paul Lindenstruth C. Luther Fry W. Russell Rosenberger Earl E. Witmer Edward W. Schlechter Robley D. Walter Ernest A. Weber William Fitzgerald Samuel D. Frederick 1917 Edwin W. Hartzell Joseph T. Hummel William H. Hunton, Jr. Elwood Schwenk William P. Schout 1918 Eugene R. DeLong Wilhelm Eisenbrown Alfred Duerschner George W. Heiser Joseph S. Kleckner Raymond P. G. Leemhuis E. Harold Moyer George W. Nelson Frank M. Brown Titus Druckenmiller Myer Grossman 1919 Henry Heuer Werner Jentsch Raymond Kline Charles Reichardt Luther A. Krause Bruce Macintosh John K. Miller William G. Wahl 160
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Page 173 text:
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1 9 1 T CIARLA The Cast 1915 PRODUCTIONS I N the Lyric Theatre on Tuesday evening, June 15, 1915, the Cue and Quill Club gave a most finished production of four splendid one-aet playlets. Too much credit cannot be given to John A. McCollom, Jr., who not only directed and trained the cast, but was author of the four playlets presented, having in connection with one of them the collabora- tion of Prof. J. H. S. Bossard. The “curtain raiser” was named “Pickles,” the scene being laid in the office of O’Brien Co.’s pickle factory. The plot centers about the character of Daniel O’Brien, a well-to-do manufacturer, rough and uncouth, who tries to win the affections of a young lady thru deception. With the aid of his secretary he attempts to create the impression that he is a man of the highest intelligence, but fails when his secretary proves to be the man whom she had previously thrown over because of his poverty. With Day as the manufacturer, Fry as the secretary, and Rosenberger as the girl, all the parts were in capable hands. It told an interesting story and was well presented. The collaboration work of Messrs. Bossard and McCollom, called “Two Scraps of Paper,” was very amusing and told the story of a young couple, both of whom had escapades of a shady nature, news of which they tried to keep from each other; it, however, finally becom- ing known thru the newspapers. The play called for strong acting and was cleverly characterized by Schlechter as the husband, “Frank Darlington,” and Hartzell as “Susie,” his wife. Worsinger was the grocer boy. 161
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