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Page 103 text:
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SHAKESPEARE IN THE PARK Drama a la naturalc again graced the lawns of Bozeman during the summer, as Shakespeare in the Parks headed into its eleventh season. The company was formed to bring quality live theatre to small communities which might not otherwise have this opportunity. The stage is portable and only available light is used. The nine-actor troupe has expanded its tour to include one extra week of performances, using Shakespeare's Comedy of Errors and Moliere's The School for Wives. Directors were Joel Jahnkc and Bill Pullman. Jahnke is also the producer and artistic director of Shakespeare in the Parks. We hit just about everywhere in the state, said Jahnkc. Traveling about 50 to 60 miles per day, the group performed in 42 communities from June 27 to Aug. 20. The Bozeman shows included The School for Wives, and Comedy of Errors. We always use comedies, said Jahnke. They arc more well suited to that outdoor perfomance style. We think people like a light, comic touch in summer...dis-tractions in the park don't lend to quiet, serious moments. He said that he has contemplated using the tragedies, such as Romeo and Juliet, but it's more difficult to capture the audience in a sensitive moment. Right now, they arc repeating the comedies, because there are only seven or eight producible Shakespearean comic dramas. Jahnkc was the director of The School for Wives. He decided to use Molicrc because he fits the style of Shakespeare. He said, Moliere's troupe was touring their plays in much the same way we arc. Jahnke added, I love Moliere...this one's very interesting. It's a more interesting play to work on, but it's not as well suited to wild, slapstick comedy. The other play, Comedy of Errors, was directed by Bill Pullman. He put a new twist on the drama by staging it in Arabia. It's an interesting conceptual idea,” said Jahnkc. Jahnke has been with Shakespeare in the Parks for seven years. He has worked previously with Stage One Productions in South Dakota and the Paul Bunyan Playhouse in Minnesota. He took over as producer and head of the Theatre Department in 1981. —By Michelle Wing 109
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